The Garden Of Electric Delights (2024 – 2025)
Multi-channel soundtrack designed for the short film by Billy Roisz. The title refers to the world-famous artwork by the Dutch painter Hieronymus Bosch, the triptych „The Garden of Earthly Delights.“ The aim of the soundtrack is to create a transdimensional connection that immerses the audience in an immersive and physical world.
https://www.sixpackfilm.com/en/catalogue/2962/
when we play (2024)
A performance by Brigitte Wilfing and Jorge Sanchez Chiong inspired by dance floor culture, where a collective of human and more-than-human performers come together through dance to envision and foster alternative forms of community.
https://www.wienmodern.at/2024-when-we-play-en-4183
Transversal Responses: Filling the Gaps (2024)
The immersive art/science exhibition by Dominika Glogowski invites visitors to participate in discussions that evoke emotions and contemplation about sustainability. With interactive features like an acoustic container, a dismantled debate tent, and a process-oriented performance of the syllable „RE/“, the exhibition facilitates a dialogue involving the voices, thoughts, and perspectives of the RE-EURECA-PRO team.
https://artecoindustry.com/transversal-responses-filling-the-gaps/
5 vor 12 – Unerhörter Widerstand (2024)
Customized sound logo for the installation’s site-specific at OK Platz, Linz. The artistic work „5 vor 12 – Unerhörter Widerstand“ by Sabrina Kern und Mariel Rodriguez commemorates women who acted resistively during the Nazi era. Their names and deeds are remembered auditorily in public space, and their stories spread—also formally and aesthetically visible—through sound waves at OK Platz (Offenes Kulturhaus Linz).
https://www.land-oberoesterreich.gv.at/Mediendateien/LK/5vor12_PROJEKT_kurz_Kern_Rodriguez.pdf
A Sound That Never Was (2021 – 2024)
15 sound artists respond to a book with sound, noise, gesture, utterance, music. A Sound That Never Was is a new digital instrument that operates a score written from software code that is modulated by weather data and seismic activity.
https://stevebates.info/index.php/programming-curating/a-sound-that-never-was/
Vergissmeinnicht or how to become an art object (2024)
This project by Ingrid Gaier explores the realm of artist relics and the concept of the artist’s cult, in commemoration of the Bruckner Year 2024. The stop-motion animated film is accompanied by abstract and immersive music composition.
https://ingrid-gaier.at/vergissmeinnicht
Tactile Immateriality (2023)
Commission for the Sonica Festival, that utilizes immersive spatial experiences that integrate visual, auditory, and performative elements. In collaboration with SHAPE+ (Sound, Heterogeneous Art and Performance in Europe). Supported by the Creative Europe Programme of the European Union.
https://www.instagram.com/p/CrvYkhoLS3u/?img_index=2
Community of Grieving (2020 – 2023)
An audio ritual to collectively submit into intermission created by Zosia Hołubowska and Julia Giertz for Unsound Festival.
Zosia Hołubowska (composition, performance, voice)
Julia Giertz (composition)
Edka Jarząb (performance, voice)
Veza Maria Fernandez Wenger (performance, voice)
Isabella Forciniti (live music)
Abluzione (2022)
Commission for the ambisonics sound system in Dom im Berg (Graz, AT) by ORF musikprotokoll. In cooperation with SHAPE+ (Sound, Heterogeneous Art and Performance in Europe). Supported by the Creative Europe program of the European Union.
https://soundcloud.com/isabellaforciniti/isabella-forciniti-abluzione/s-7heI7hEwOn4?si=813c6be9606f4cb9b4cc1ca26e4c348c
Archiv seltener Arten (2022)
Radio plays about endangered plant species.
https://archivseltenerarten.wordpress.com/
The Choir & the Sound System (2022)
A research project for network-based, participatory compositions.
https://sadiss.net/
Originale in Kiste bei Sitzbank (2022)
Scoring of portrait animation short directed by Ingrid Gaier.
https://ingrid-gaier.at/portfolio/originale-in-kiste-bei-sitzbank
Black Maria (2021)
Scoring of experimental short directed by Bernd Oppl.
https://berndoppl.net/en/
Self-Portraits in Imaginary Places (2020 – 2022)
A scenic musical work for a female singer/performer, ensemble, electronics, movement, video and light.
Aleksandra Bajde (concept, composition)
Lili Mihajlovic (choreography, movement)
Conny Zenk (light architecture)
Schallfeld Ensemble
Isabella Forciniti (electronics, modular synthesizers)
Telharmonische Residenz-Orchester der Alten Schmiede (2020)
The Telharmonische Residenz-Orchester der Alten Schmiede consists of ten musicians, who are scattered across different countries such as Austria, Italy or the USA.
https://www.youtube.com/watch?v=1kNxviyaqKM
Strange is the Loop (2020 – 2021)
Strange is the Loop will be a 60-minute performance which will première in Vienna at the Das Off Theater in December 2020. The piece is inspired by the homonymous book of Douglas Hofstadter and is a continuation of the exploration started with the project Handschrift (2018) and the choreographic work Do I look fluid? (2019).
Alberto Franceschini (concept, choreography, performance)
Ruggero Franceschini (performance)
Ingrid Cogne (dramaturgy)
Milena Georgieva (music)
Isabella Forciniti (music)
Wiener Gesellschaft (2018 – 2020)
Ensemble with Burkhard Stangl (e-guitar), Katharina Klement (piano, electronics), Isabella Forciniti (electronics), Diana Hannappi (transverse flute), Patrick K.-H. (electronics, visuals), Maria Leubolt (contrabass), Marika Peham (cello), Philipp Rabelsberger (synthesizer, computer), Paul Marius Walter (synthesizer), Katharina Zeller (horn)
log~ (2017 – 2018)
Quartet with Marko Arich (guitar, electronics), Thomas Liesinger (trumpet, electronics), Philipp Rabelsberger (electronics) and Isabella Forciniti (electronics)
https://loginvienna.bandcamp.com/releases