A Sound That Never Was (2021 – 2026)
15 sound artists respond to a book with sound, noise, gesture, utterance, music. A Sound That Never Was is a new digital instrument that operates a score written from software code that is modulated by weather data and seismic activity.
https://asoundthatneverwas.net/
Sense The Shipyard (2025)
Contributed to the development of a site-specific sound walk through the former Gdańsk shipyard, engaging with the area’s industrial memory, political resonance, and acoustic ecology. The project explored listening as a mode of historical reflection and spatial awareness.
Catch me if you can (2025)
Soundtrack designed for the short film. Staged around Weinviertel gas storage, the film questions CCS, blurring reality to encourage ecological and technological discussion. Its soundtrack interprets the global environmental crisis speculatively, using electronic textures, field recordings, and minimalist compositions to represent industry and underground storage.
https://flechtwerk.or.at/portfolio_page/the-carbon-busters-deep-encounters/
„A‘ Vrigogna“ for The Black Page Orchestra and Marino Formenti (2025)
As part of „The Morricone Project,“ a music performance celebrating Ennio Morricone, the composition has been premiered at the Musikverein in Vienna in May 2025.
The Garden Of Electric Delights (2024 – 2025)
Multi-channel soundtrack designed for the short film by Billy Roisz. The title refers to the world-famous artwork by the Dutch painter Hieronymus Bosch, the triptych „The Garden of Earthly Delights.“ The aim of the soundtrack is to create a transdimensional connection that immerses the audience in an immersive and physical world.
https://www.sixpackfilm.com/en/catalogue/2962/
when we play (2024)
A performance by Brigitte Wilfing and Jorge Sanchez Chiong inspired by dance floor culture, where a collective of human and more-than-human performers come together through dance to envision and foster alternative forms of community.
Transversal Responses: Filling the Gaps (2024)
The immersive art/science exhibition by Dominika Glogowski invites visitors to participate in discussions that evoke emotions and contemplation about sustainability. With interactive features like an acoustic container, a dismantled debate tent, and a process-oriented performance of the syllable „RE/“, the exhibition facilitates a dialogue involving the voices, thoughts, and perspectives of the RE-EURECA-PRO team.
https://artecoindustry.com/transversal-responses-filling-the-gaps/
5 vor 12 – Unerhörter Widerstand (2024)
Customized sound logo for the installation’s site-specific at OK Platz, Linz. The artistic work „5 vor 12 – Unerhörter Widerstand“ by Sabrina Kern und Mariel Rodriguez commemorates women who acted resistively during the Nazi era. Their names and deeds are remembered auditorily in public space, and their stories spread—also formally and aesthetically visible—through sound waves at OK Platz (Offenes Kulturhaus Linz).
https://www.land-oberoesterreich.gv.at/Mediendateien/LK/5vor12_PROJEKT_kurz_Kern_Rodriguez.pdf
Vergissmeinnicht or how to become an art object (2024)
This project by Ingrid Gaier explores the realm of artist relics and the concept of the artist’s cult, in commemoration of the Bruckner Year 2024. The stop-motion animated film is accompanied by abstract and immersive music composition.